Sweet Home is a double slide projection, with one projection presenting fifteen Italian living rooms, and the other showing the diagrams of the chemical and radioactive situation of the same rooms.
Cristiano Berti is a self-portrait consisting of the photographs of seven namesakes of the artist, with the seventh being an English actor who plays the role of a character named Cristiano Berti in Dario Argento’s film Tenebrae.
Incubo Succubo is a wall installation which re-establishes the link between these two Italian words by recalling their origin rooted in Christian demonology, where they described two evil creatures who invade the dreams of believers.
White Man is the portrait of Ogã Oscar of Oxaguian, an Italian man who serves as a Candomblé priest, surrounded by votive offerings at an altar that he created within a storage room of his house.
Ancona is a lenticular photograph showing the corner of a city park in the town of Ancona, Central Italy. Viewers, according to their position, see the park wrecked by a landslide or in perfect order.
Twelve is a two-channel video which displays a group of trees filmed at midday and midnight, with the sound swapped so that during the daytime footage we hear the sounds of the night, and those of the day during the night.